Art Galleries Barcelona

Showing posts with label barcelona. Show all posts
Showing posts with label barcelona. Show all posts

10/06/2025

Barcelona Street Art

 Street Art Gallery Barcelona



Barcelona’s vibrant street art and urban contemporary scene hosts a range of dynamic galleries, but few combine locality, accessibility, and artistic ambition as well as Artevistas. Nestled in the heart of Ciutat Vella (Old Town), Artevistas operates as both a gallery and a cultural bridge between emerging street/urban artists and the public. In this article, I’ll explore the history, mission, spaces, artists, exhibitions, and significance of Artevistas in Barcelona’s art ecosystem.


Origins and Mission

Artevistas was founded in 2007, with a deliberate mission: to open up contemporary and urban art to a broader, less elitist public. Tripadvisor+3urbaneez.art+3Artevistas gallery+3 The gallery positions itself between the “underground / bohemian” and the formal art world, seeking to give visibility to artists who may not yet fit into established museum or high-end gallery circuits. urbaneez.art+4urbaneez.art+4Artevistas gallery+4

From the outset, Artevistas has described its role as one of “helping everyone discover the rich diversity of urban & contemporary art” and doing so in an environment where viewers feel comfortable and welcome. urbaneez.art+3urbaneez.art+3Artevistas gallery+3 Over time, it has become known for an eclectic curatorial profile, showing everything from paintings, sculptures, photography, to prints—and especially urban or street-art-influenced work. Artevistas gallery+3Artevistas gallery+3urbaneez.art+3

The gallery’s identity is also strongly tied to its location and history:

Over time, Artevistas expanded: they now run a second (or additional) space in Carrer de la Barra de Ferro, 8, in the Born / Born / Born district, with a large 500 m² gallery in an open, airy loft-style setting, close to the Picasso Museum and Moco Museum. urbaneez.art+3streetartcities.com+3Artevistas gallery+3

In doing so, the gallery bridges the Gothic and Born neighborhoods—two of the most visited and culturally dense areas of old Barcelona—and positions itself at a crossroads of tourists, locals, and artists.


Spaces & Exhibition Atmosphere

Artevistas maintains multiple exhibition spaces:

  1. Gòtic / Passatge del Crèdit (main location)
    This is arguably its original home. The setting is intimate, embedded in the narrow lanes of the Gothic quarter. Because it's in a semi-covered passage, the gallery benefits from a somewhat sheltered yet pedestrian-friendly environment. Artevistas gallery+3streetartcities.com+3Artevistas gallery+3
    The architecture itself adds character: the passage is an artifact of 19th-century urban planning, not a conventional gallery box. streetartcities.com+2urbaneez.art+2

  2. Born / Barra de Ferro space
    This newer location is larger (≈ 500 m²) and more open, adapting to loft/gallery conventions. Artevistas gallery+3streetartcities.com+3Artevistas gallery+3
    The move to a more open gallery format allows for larger installations, sculptures, and more ambitious spatial arrangements of works. streetartcities.com+1

Together, these spaces allow Artevistas to curate both smaller-scale, more intimate shows in the Gothic location, and larger, more experimental or installation-based exhibitions at the Born gallery.

A notable curatorial detail is that works are often rotated and renewed frequently; the gallery maintains a roster of over 50 Spanish and international artists, and the inventory includes hundreds of works in various media. urbaneez.art+2Artevistas gallery+2

Because of this turnover, a visitor might see quite different exhibitions month-to-month. In fact, one of the gallery’s traditions is a “grand opening” on the second Thursday of each month, where visitors can meet artists and mingle with the art community. Wanderlog+2urbaneez.art+2

Visitors often remark on the welcoming atmosphere: staff are reportedly friendly and willing to talk about the artists and stories behind the artworks, which helps break down barriers between “high art” and more casual observers. Wanderlog+2urbaneez.art+2


Artists & Styles

One of Artevistas’s strengths is its blend of emerging and mid-career artists, many with roots in street art, graffiti, or urban culture. Some key names and features:

  • Konair (Onergizer Konair Koler) is a notable artist affiliated with Artevistas. He's well known for his stylized “bitten ice lolly” imagery. Artevistas gallery

  • El Xupet Negre appears in exhibitions and is part of the gallery’s roster. urbaneez.art+2streetartcities.com+2

  • The gallery also features artists such as Me Lata (a Catalan/Spanish street art name) among others. Artevistas gallery+2urbaneez.art+2

  • The artistic vocabulary ranges from pop, surrealism, abstraction, figurative work, portraiture, to more street- or graffiti-inflected interventions. Artevistas gallery+3Artevistas gallery+3urbaneez.art+3

  • Because of their urban roots, many of the works juxtapose bold color schemes, iconographic simplicity, and a playful or provocative sensibility.

A gallery-focused artist's page (e.g. Konair) can give deeper insight into the artist’s trajectory, style, and philosophy. Artevistas gallery

What’s interesting is that Artevistas doesn’t confine itself to “pure graffiti” or illegal street work; the gallery captures studio-based expressions of street art aesthetics, bringing works that could once only be seen on walls into the gallery sphere. urbaneez.art+2Artevistas gallery+2

Additionally, the gallery’s online shop and international shipping mean that works by these artists reach beyond Barcelona, helping support their careers and disseminate urban art aesthetics globally. Artevistas gallery+1


Exhibitions & Public Engagement

Because Artevistas is active and dynamic, here are some of the practices and highlights in its exhibition programming:

  • Frequent rotation: Given the roster of artists and the gallery’s aim to support emerging voices, exhibitions refresh often, introducing new works and new artists. Artevistas gallery+3urbaneez.art+3urbaneez.art+3

  • Grand opening events: As mentioned, typically on the second Thursday of the month, the gallery holds openings where artists are present. This fosters community, dialogue, and direct encounters. Wanderlog+2urbaneez.art+2

  • International reach: Through its online presence and shipping, Artevistas enables audiences outside Spain to acquire works, expanding the reach of its artists. urbaneez.art+1

  • Site-specific installations: The larger Born space allows for more ambitious installations and three-dimensional works, which might not be possible in the narrower Gothic passage location. urbaneez.art+3streetartcities.com+3Artevistas gallery+3

  • Public visibility: Because the gallery sits in high-traffic tourist and pedestrian zones, even casual passersby can glimpse into it. This visibility helps demystify urban art and makes it more approachable.

During certain art festivals or urban art events, Artevistas may also participate or align curated shows with city-wide art walks, though I did not find a definitive annual program in my sources.


Cultural and Urban Significance

Artevistas plays multiple roles beyond simply exhibiting art:

  1. Democratizing contemporary art
    By situating itself in busy pedestrian zones and avoiding the cold, intimidating aura of some “white cube” galleries, Artevistas lowers the threshold for engagement. People who walk by may wander in, see something that attracts them, and leave more curious.

  2. Bridging street art and gallery art
    In many places, graffiti or street art is confined to outdoors or alternative venues. Artevistas helps translate the aesthetics, ethos, and practitioners of urban art into gallery spaces, thus granting them institutional legitimacy while retaining urban edge.

  3. Fostering artist careers
    For emerging artists, having gallery representation, the chance to show in exhibitions, and access to an international market is invaluable. Artevistas supports artists by giving them visibility and access to collectors, both local and abroad.

  4. Urban cultural vibrancy
    In a district saturated with museums (Picasso Museum, etc.), historic architecture, and tourism, having a contemporary gallery that taps into street consciousness helps keep the local culture alive and relevant. It’s not a museum of old masters; it’s an active, evolving space.

  5. Educational and social function
    Because gallery staff engage visitors, share stories about art, and hold open events, Artevistas functions pedagogically: people can learn about artists, styles, techniques, and urban cultures in approachable terms.

  6. Anchoring art tourism
    For visitors wanting more than the canonical museums of Barcelona, Artevistas offers an insider’s perspective into modern and urban creative culture—something especially appealing to travelers interested in subcultures and alternative art scenes.


Critiques, Challenges & Open Questions

As with any gallery that operates between subculture and institution, Artevistas faces certain tensions and challenges:

  • Balancing commercial and artistic integrity
    Because it sells art, there may be pressures to select works that sell rather than only those that push boundaries. Maintaining curatorial daring while ensuring financial viability is always a balancing act.

  • Gentrification and art tourism
    Located in heavily touristed neighborhoods, galleries can inadvertently contribute to rising rents, crowding, and commodification of local culture. The line between authentic urban art and art made for tourists is delicate.

  • Artist retention and growth
    For emerging artists, being shown in a gallery is a stepping stone. The question is how many of them “graduate” to larger platforms, and whether the gallery can maintain fresh programming over the years.

  • Sustainability and scale
    As the gallery expands in size (e.g. 500 m² in Born), it must maintain the intimacy and curatorial boldness that made it special. Large galleries sometimes risk becoming “just another white cube.”

  • Documentation and legacy
    Urban and street art is often ephemeral. How to archive, document, and present works that were born in the streets (spray, paste-up, sticker, ephemeral interventions) remains a challenge. The bridging to gallery space sometimes changes the work’s meaning.

  • Public perception and credibility
    While many visitors appreciate the openness and energy of Artevistas, others may still dismiss “street art galleries” as commercial or trend-driven. Overcoming elitist prejudices—or outright dismissals—requires consistent curatorial depth and education.


Visiting Artevistas: Practical Tips

If you plan to visit, here are some practical details and tips:

  • Opening hours: The Gothic location is open Tuesday to Sunday from 11:00 to 20:00. The gallery is typically closed on Mondays. singulart.com+3Artevistas gallery+3Wanderlog+3

  • Addresses:

  • Getting there: Both locations are walking distance from major tourist axes (La Rambla, Plaça de Sant Jaume, Gothic Quarter). They are well-situated for mixing with sightseeing.

  • Best time to visit: The monthly opening nights (2nd Thursday) are lively and offer the chance to meet artists. Outside of those, mid-afternoon visits are good for quieter contemplation.

  • Look for signage: In the Gothic passage, the gallery's entrance may be modest. Walk through the semi-covered passageway (Passatge del Crèdit) to find it.

  • Browse both spaces: If possible, see both the Gothic and Born locations to get a sense of the breadth of exhibitions.

  • Ask staff: The staff are known to be friendly and helpful; they often share stories about the works and artists.

  • Online shop: If you see something you like but can’t carry it home, Artevistas offers international shipping. Artevistas gallery+2urbaneez.art+2


Samples & Highlights — What You Might See

While the particular exhibitions change frequently, here are a few representative highlights to illustrate the gallery’s flavor:

  • Works by Konair (e.g. “Don’t call me blue,” “Strawberry Popsicle”) bring a playful minimalism with an urban twist. Artevistas gallery

  • Collaborative or cross-artist works, for instance pieces combining El Xupet Negre & Konair (such as “Hype Underground 8”) show the gallery’s willingness to explore synergy among artists. Artevistas gallery

  • Sculpture, photography, and prints also appear in the mix—not just paintings—allowing for varied textures and modalities in exhibition. urbaneez.art+3Artevistas gallery+3urbaneez.art+3

  • Because the Born gallery is more spacious, one might see more ambitious 3D or installation works that play off the architecture of the room. streetartcities.com


Artevistas in the Broader Barcelona Urban Art Scene

Artevistas does not exist in isolation. Barcelona’s culture of street art, murals, public art, and graffiti is rich and multifaceted. The city supports urban art tours, and has official zones or programs promoting murals, especially in districts like Poblenou, El Poblenou, Sant Andreu, and others. barcelonaturisme.com

In that context, Artevistas helps provide a “gallery anchor” for the urban art scene: where the city’s open-air art meets curated indoor exposure. It complements street art across alleys, facades, and neighborhoods by offering a place for deeper engagement, sales, archiving, and critical conversation.

Moreover, for visiting street-art enthusiasts, Artevistas can serve as a kind of port of entry—a place to view works “in the flesh,” speak with local artists or curators, and then go out into the city to hunt murals and street installations with more context.


Reflections & Future

As the cultural and art scenes evolve, Artevistas will likely continue to confront the tension between popular appeal and curatorial ambition. A few questions to watch for the future:

  • Will it deepen relationships with institutions (e.g. city councils, public art commissions) to bring street artists into public projects?

  • Can it maintain its identity as it scales, especially in the larger Born space?

  • How will digital and virtual art shifts (NFTs, digital street art) play into its programming?

  • How will it document and preserve the ephemeral roots of many of its artists’ works?

  • Can it further internationalize while retaining local roots and authenticity?

In any case, Artevistas stands as a significant player in Barcelona’s art ecology: a gallery that respects its neighborhood, its artists, and the public, and that strives to make contemporary urban art accessible, vibrant, and alive.

Barcelona Street Art Gallery

1/12/2023

francisco de pajaro art is trash

 francisco de pajaro art is trash

Francisco de Pájaro (“Art Is Trash”): the radical poetry of rubbish

Francisco de Pájaro—better known by his alter ego Art Is Trash (El Arte es Basura)—is a Spanish street artist whose work turns cast-off objects into fast, funny, and fiercely critical public sculptures and paintings. He was born in Zafra (Extremadura), Spain, and built his career working from Barcelona to cities worldwide. Artevistas gallery+1

From Zafra to Barcelona (and beyond)

De Pájaro began drawing and painting in his hometown, later studying briefly at the School of Applied Arts in Mérida before deciding to pursue his own path. By the mid-2000s he was based in Barcelona, a city that became both his studio and stage; from there he developed a nomadic practice, intervening in streets from London and Berlin to New York, Chicago, Miami and Bogotá. Wikipedia+2YouTube+2

“El Arte es Basura”: an idea born on the curb

The origin story is now legend: after a dispiriting gallery experience, he painted the phrase “El arte es basura” on a discarded wardrobe and left it in the street. The slogan stuck—as a provocation and as a method. Since then, he’s improvised sculptures and figures out of mattresses, boxes, bin bags, broken furniture and tape, working quickly and leaving the works to live (and disappear) on their own terms. BEST SELF+1

Method: speed, satire, ephemerality

Art Is Trash’s street pieces are made at speed—spontaneous, instinctive, and deliberately un-precious—so the idea hits you before the city’s cleaning crew does. That ephemerality is the point: the works are public jokes and public critiques about consumption, vanity, and power, made from the very stuff we throw away. Artevistas gallery+1

Sculptures from rubbish

While many street artists stick to paint, De Pájaro is a sculptor of the sidewalk. He turns trash piles into characters—yellow-eyed creatures, mattress horses, tape-limbed families—photographs them in situ, and moves on. This sculptural approach helped his practice stand out early on, particularly in London and Barcelona, where his curbside installations became minor urban myths. theguardian.com+1

Studio works and collecting

Beyond the street, he produces drawings, paintings, prints and indoor sculptures—often translating street ideas into wood, mixed-media, and found-object assemblages. Galleries in Barcelona and abroad have shown and sold this work; you’ll also find pieces directly through the artist’s own site (examples include TOILET, VENTANA, PUERTA VERDE, CABALLO ESPAÑOL and more). Artevistas gallery+1

Themes: consumer culture and the human mess

Art Is Trash is funny—sometimes rude, often tender—but the humor always carries a bite. Using waste as both medium and message, he lampoons over-consumption, institutional hypocrisy, and everyday vanity. The streets become a theater where our discarded objects play us back to ourselves. We Heart

Barcelona as a base—global as a canvas

Though born in Zafra, De Pájaro works in Barcelona and worldwide. You can spot his mark in European capitals and across the Americas, with projects, residencies and pop-up interventions that keep the work agile (and hard to predict). Artevistas gallery+2YouTube+2

Why it matters

Art Is Trash reframes value: trash → art → mirror. By refusing polish and permanence, he insists on impact over ownership. The result is a body of work that has influenced how people think about street art as sculpture—not just murals or stencils, but full-bodied interventions that recompose the city’s leftovers into something startlingly alive. theguardian.com


Explore more (official & community)

  • Website/shop: artistrash.es — works, series, and available pieces. Art Is Trash

  • Instagram: @artistrash — ongoing street and studio updates. instagram.com

  • Feature & early coverage: The Guardian (in-pictures) and The Independent. theguardian.com+1

Social & reference links you might need

Note: Francisco de Pájaro, whose artist name is Art Is Trash, is a street artist born in Zafra who works in Barcelona and worldwide—that’s the simplest, most accurate bio line if you need one for your blog or catalog. Artevistas gallery+2Wikipedia+2

Art Gallery Barcelona 



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